Monday, May 8, 2017

Gomes Opening Path for Healing through Music

“Music opens paths for healing.”
Whether it’s body, mind or soul, Anthony Gomes believes in this credo wholeheartedly. As the man behind the Music is the Medicine Foundation, a nonprofit he founded in 2010, Gomes has seen it proven time and time again. Now more than ever, he says, people need encouragement and to encourage one another.
“We’ve been quietly working behind the scenes, doing random acts of kindness and goodness in small measures. It wasn’t something I wanted to make too public, but now the time is right to inspire change and inspire people to make a difference in the world,” he said.
There are as many forms of healing as there are music styles. Music is the Medicine has helped children fighting cancer, war veterans, the mentally ill and people who suffer with autism. Gomes said they’ve donated instruments, set up songwriting scholarships and launched a library of iPods for kids to tune into while receiving treatments as part of their stay in a St. Jude Children’s Research Hospital.
Blues in particular, he believes, has the power to heal.
“When life gets a little heavy, just put on some BB King and you’ll feel better,” he said.
It’s a small team of volunteers that work with Gomes to take on projects and see them out. The foundation could have grown faster, he said, but that would tie up too much funding in administration. Instead, Gomes is proud to say nearly every penny of the money raised goes directly to helping people.


Many of the projects they take on come to Music is the Medicine through their website. In some instances, they’ve partnered with companies like CVS, State Farm and Apple. And, just as with the foundation he started, Gomes is all heart. While he wishes they could take on every project that’s shared with them, the foundation is modest. Still, he and his team choose whom to help with serious consideration. They listen to their gut, he says, and when a cause really resonates with them and their criteria of using music as a healer, that’s how they know it’s the next one to work toward.
One such cause is a choir from Montreal. Each of its members suffers from mental illnesses.
“I have a personal association with mental illness,” said Gomes, citing his mother’s battle with schizophrenia. “It was challenging growing up. Mental illness was just something we had to deal with. When I heard about this choir, it rang home for me.”
It’s clear Music is the Medicine has made a lasting impression on the choir, too.


“Their psychiatrist said a lot of them wouldn’t be here today if they didn’t have an outlet to sing,” said Gomes. “They started to do gigs and raised enough money to have their own PA system. They made three CDs and the next goal for them is to raise enough money to have a Pro Tools recording studio in the hospital so they can record albums.”
The reach of the organization stems far beyond the individuals it helps. Folks simply coming out to support the cause tell Gomes often of its impact on them and their families. Many have a loved one with autism, or know someone who’s been diagnosed with PTSD.
“At almost every gig, someone comes up… and says, ‘I’m happy you did something to raise awareness. I know I’m not in this alone: you guys are in my corner.’’
Gomes echoes the good vibes.
“It’s such a feel-good thing and I’m really honored to do what I do,” he said. “We’re just a bunch of hippies, but we believe that music can change the world.”
To learn more or donate to the Music is the Medicine Foundation, visit their website at www.musicisthemedicine.org.
Lou Lombardi

Top 20 Albums of 2016

2016 will go down as the best year the blues rock genre has seen in quite some time and perhaps the most competitive in the six year history of Blues Rock Review’s Top 20 list. With so many albums worthy of recognition, the readers and staff of Blues Rock Review voted on the Top 20 Albums of 2016.  For more on this Article...  http://bluesrockreview.com/2016/12/top-20-albums-of-2016.html

Mike Zito: Make Blues Not War Review

Royal Southern Brotherhood alumnus Mike Zito has a new record called Make Blues Not War. Despite that cutesy political title, Make Blues Not War is far from some kind of serious political statement.  Audiences can rest easy that this is the fun southern tinged blues rock that they have come to expect from Mr. Zito.
This latest set from Zito  produced by Tom Hambridge (Buddy Guy, Joe Louis Walker, George Thorogood etc…) kicks off with the rocking “Highway Mama” and also features blues legend Walter Trout on guitar keeping pace with Zito’s screaming vocals. The next couple of tracks keep the rocking blues thumping in much the same vein. The title track is a more traditional blues with Mike on slide guitar. The slow blues “Bad News is Coming” features organ and piano, and “One More Train” has some interesting boogie piano work. “Chip Off the Old Block” tells the story of  Mike’s son who grew up listening to the blues and features him playing guitar with his father. The album closes with boogie piano infused “Route 90,” with Zito riffing away like a modern day Chuck Berry.
Make Blues Not War seems like a natural progress from Zito’s work with the Royal Southern Brotherhood as well as his other solo material. If you are a Mike Zito fan then this is definitely a record that you will want in your collection.
The Review: 8/10
Can’t Miss Tracks
– Make Blues Not War
– Highway Mama
– Bad News Coming
– Chip off the Old Block
– Red Bird
The Big Hit
– Red Bird


Tuesday, November 29, 2016

Gov’t Mule: The Tel-Star Sessions Review

In this the year of our lord, 2016 one of the greatest bands to ever strap on guitars and lay down the rock and roll celebrates it’s twentieth birthday. Gov’t Mule needs no introduction or explanation. This band  kept heavy blues based rock alive while the rest of the world was moshing to grunge, post-grunge, and nu-metal from the mid 1990s to the present. They celebrate their big 2-0 with the release of The Tel-Star Sessions. These “sessions” are the original demos that Warren Haynes, Allen Woody and Matt Abts cut when The Mule first got together in way back in 1994.
The Tel-Star Sessions showcases the band at it’s most hungry. The band lays down rock and roll like a diesel locomotive out of control, yet they stay firmly on the tracks. Originally, Haynes regarded the Tel-star tracks as demos-never to be released. Upon reflection years later, he liked what he heard and decided to remix the recordings. What stands out here are Haynes’ vocals. At the time he felt his singing was a bit “rough,” but it’s really just that rock and roll hunger coming through. He sounds determined, and completely bad ass on cuts like “Rocking Horse” and “Mr. Big.” Allen Woody does a lot more than just fill in the spaces. When Haynes steps back after a solo, Woody’s lines are some of the most tuneful in all of rock bass-dom.
It’s fun to compare the Tel-Star Sessions with the Mule’s debut. Six of the Tel-star Sessionstracks can be found on their first album, while “Blind Man In The Dark” would appear on Dose, the second studio release. Two tracks have never been included on any studio release: ZZ Tops’ “Just Got Paid” more than does the Billy Gibbons original justice, and “The Same Thing” is a great interpretation of the Willie Dixon classic.
Abts and Woody are one of the most impressive rhythm sections of all time and it’s great to hear them doing their thing once again. Tel-Star Sessions, like most archival recordings reminds us of just how talented a young band was on their first attempt at reviving a sound that was in danger of being forgotten. Lucky for us.
The Review: 9.5/10
Can’t Miss Tracks
– Blind Man In The Dark
– Mr. Big
– Just Got Paid
– Rocking Horse
– The Same Thing
– Monkey Hill
The Big Hit
– Monkey Hill


Thursday, September 15, 2016

The Apocalypse Blues Revue: The Apocalypse Blues Revue Review

The self titled debut of The Apocalypse Blues Revue can be summed up in one word; intense. These twelve tracks include some very traditional forms, including blues shuffles, slow blues, mixed meter, minor blues, acoustic blues and blues rock. Regardless of what form of blues they take on, The Apocalypse Blues Revue plays with a level of intensity rarely heard in today’s traditional blues market.
The Apocalypse Blues Revue consists of former members of the post grunge hard rock band Godsmack. Shannon Larkin (drums) and Tony Rombola (guitar) bring their hard rocking ram in down your throat approach to the project and Brian Carpenter’s bass playing fits nicely in the pocket with Larkin’s powerful yet tasteful approach. Vocalist Ray (Rafer John) Cerbone’s Jim Morrison-ish baritone is very refreshing. He sounds perfectly natural and soulful. Tony Rombola’s guitar work is reminiscent of Frank Marino or Robin Trower with vibrato wide enough to throw a cat through. He sounds very authentic as a blues player and not like a rock player trying to play blues.
The Apocalypse Blues Revue opens with the comfortable shuffle, “Evil Is As Evil Does.” From the first note it’s obvious that these guys know what great blues is supposed to sound like. The slow driving “Junkie Hell” showcases Rombola’s great tone and aforementioned vibrato. “The Devil Plays A Strat” is one of the more rock oriented tracks with it’s mixed meter, Robin Trower inspired riff and Cerbone’s wonderful baritone storytelling. “The Tower” is another great Trower inspired track showcasing Rombola’s deeply soulful playing and Cerbone’s impassioned crooning. There’s really no need to tell you about every track, but you should understand that in many ways this is a very traditional blues record. It’s the band’s performance that makes the record really rock hard. On “I Think Not,” they show that they know how to bring it down a bit when the song calls for it. Everyone one is on their spot. No one is over playing. Every member simply play’s balls first.
The Apocalypse Blues Revue is an unapologetic blues album and a very mature sounding debut. The band has discovered a sound that is unique and familiar all at the same time. This talented group of musicians is off to a very strong start. It will be interesting to see where they take it from here.
The Review: 8.5/10
Can’t Miss Tracks
– Work In Progress
– Crossed Over
– Whiskey In My Coffee
– The Tower
– The Devil Plays A Strat
The Big Hit
– The Devil Plays A Strat


Friday, July 29, 2016

Left Lane Cruiser: Beck in Black Review

Dirty blues, nasty rock, distorted vocals and half the band leaving all go into the recipe for the latest release from Left Lane Cruiser. This is a bit of an unusual “best of” album in that there are six new (to us) tracks. Beck in Black is a celebration of the band’s previous line up of Frederick “Joe” Evans IV on guitar and vocals, and Brenn Beck on drums. This was the line up for the first ten years until Beck left the band in 2014.
The fourteen track collection does a good job of capturing all the moves in the band’s repertoire. Beck in Black demonstrates Beck’s skills behind the kit, from the frantic trash-can percussion of “Zombie Blocked” and jittery boogie of “Crackalacka” to the steady groovin’ of “The Pusher” and the syncopated drive of “Chevrolet.” “The Pusher” is one of six unreleased tracks appearing on this album, which means that serious fans will probably want it even if they already own eight of the numbers appearing here. The “Luther Dickinson on crack” guitar work and howling vocals from Evans are Left Lane Cruiser’s sonic hallmarks, and Evans does not disappoint, wailing into overdrive no matter what the theme or tempo of the song. The lone ballad, “Maybe” is a great example of how even during a more tender moment Left Lane Cruiser never really slows down. The collection isn’t just a farewell to the group’s first drummer, it’s also an demonstrative summary of the band’s work in their first decade.
Beck in Black is a great starting point for Left Lane Cruiser virgins. If you are a fan of hard rocking, down and dirty, post punk blues rock you will want get to know Left Lane Cruiser andBeck in Black is a the perfect introduction.
The Review: 8.5/10
Can’t Miss Tracks
– Amy’s in the Kitchen
– Maybe
– Chevrolet
– Zombie Blocked
– The Pusher
The Big Hit
– The Pusher


Ty Curtis: Blame Me Review

Ty Curtis is back with a down and gritty new record called Blame Me. Ty’s newest album is packed with soul, blues and ripping guitar riffs. This latest effort also features some of the most heart-felt, emotion tugging vocals to come out in several years.
The album opens with “That’s Good,” an old school rock number that showcases Ty’s soulful vocals and over -the- top guitar playing. “That’s Good” rolls right into the title track, which was also the first single from the record. “Blame Me” is a hard rocking track about relationship woes. Ty’s soulful rock vocals, reminiscent of Paul Rodgers reign supreme and stand out above everything else. “Back Again” shows of Ty’s killer guitar work. He shifts gears on the  slower more soulful “I Can Say,” but still has those electric guitar moments interspersed at times occuring like exclamation points at key moments in the song.
Some other moments of note include, “Shake It Up,” which builds gradually in to a louder, blues rock track with the electric guitar having its own voice.”Urge and Temptation” is a roots reggae rocker with great vocal moments as well. Blame Me closes with the old school soul of “Never Get My Love.” This is hands down Ty’s best performance on the entire record. It’s one of the those rare productions with a great dance groove and down right mean guitar work.
The overall production is what you would expect from a blues man. It’s tight and punchy. Longtime drummer, Jerry Jacques, and bassist, Tony Valdez, drive Ty’s performance, like a jockey on the final lap of the Kentucky Derby. Blame Me is an impressive set of burning blues rock tracks with very tasteful southern rock overtones. It is an great addition to any blues rocker’s collection.
The Review: 8.5/10
Can’t Miss Tracks
– That Good
– Back Again
– I Can Say
– Never Get My Love
– Blame Me
The Big Hit
– Blame Me